Regulations, work program, infodays, first calls: find out everything you need to know about the Creative Europe 2021-2027 program.

Creative Europe, art, culture, audiovisual and media program kicks off

In this news-filled period, we do not miss the most eagerly awaited news for our readers engaged in the cultural and creative sector: the recent launch of the Creative Europe program and all the tools that enable us to understand its scope and plan activity.

The program budget for 2021-2027 is estimated at 2.44 billion euros, up from 1.47 billion in the previous phase. The program aims to strengthen artistic and cultural cooperation, the audiovisual and media sector. Creative Europe is divided into three components:

The program is managed by the European Education and Culture Executive Agency ( EACEA ). As already mentioned i calls for proposals and related documents are published on the Funding & Tenders .

The program is supported by the Creative Europe desks present in each country (in Italy, in Rome, Bari and Turin), which provide information, facilitate cooperation and help applicants develop their projects.

Also available are a guide for participation in Creative Europe projects (and the other programs managed by the EACEA, focusing on practical aspects and use of the portal) and a database of projects Creative Europe where you can look for inspiration and partners for your own projects.

The Creative Europe program

The Creative Europe regulation provides a broad definition of “cultural and creative sectors,” or the mission of the program, which includes:

That is, to provide an indicative and non-exhaustive list, the Creative Europe program covers: architecture, archives, libraries, museums, arts and crafts, audiovisual (film, television, video games and multimedia content), tangible and intangible cultural heritage, design, fashion, festivals, music, literature, performing arts, theater and dance, books and publishing, radio and visual arts.

The program aims to:

More specifically, it is proposed to:

The components of Creative Europe

A summary sheet and a more detailed sheet summarize the main features of the Creative Europe program, in its three components. This information can be further explored in this page .

The actions of the Culture component concern:

The actions of the Media component Are divided into:

The actions of the Intersectorial component include:

Creative Europe: work program, calls and infodays

Coupled with the launch of Creative Europe, important tools were made available to learn in depth about the actions and modes of intervention under the program, and to plan accordingly.

First, the 2021 work program defines in detail the framework of priorities for each of the components of Creative Europe, the types of interventions envisaged, criteria and priorities that will be followed in the evaluation of projects, conditions for participation, objectives, expected results, planned actions and funding shares for each individual intervention planned during the year under Creative Europe. Through this very rich and articulate document, it is therefore possible to find out, in general and detailed terms, all that awaits us in this year’s Creative Europe calls.

This was followed by the publication of a series of notices (about 20, due during the summer and fall), in the program’s various areas of intervention. We refer for this to our previous post and to the dedicated page . The variety of available calls fully expresses the wide range of opportunities offered by the Creative Europe program in so many areas of the cultural, digital and creative world, including very specific ones.

Next but not least, an day of information dedicated to the Creative Europe program. The video with all the day’s content (more than 9 hours of speeches) is available on the appropriate page : a unique appointment and in-depth opportunity for all professionals and enthusiasts in the field.

An opportunity not to be missed

With Creative Europe, an important new piece of EU programming for 2021-2027 is added.

There is no shortage of opportunities, and we hope that the Guide will best accompany all stakeholders in the preparation of Creative Europe projects.